The colour key
The same key is printed at the bottom of every page of both Mushafs:
- Red: Ghunnah (nasal)
- Green: Tafkheem (bold)
- Blue: Qalqalah (echo)
The colours follow the project's written Tajweed rule specification, which a Tajweed teacher reviewed and approved. Letters without a colour are read as normal.
Each example below is shown from both Mushafs, each in its own script and spelling, exactly as its pages colour it. Both follow the same rules; where they show a word differently, the reason is under 16-line and 15-line.
Red: Ghunnah (غُنّة)
Ghunnah is a nasal sound, held for about two counts, that resonates through the nose. Red marks the Noon (ن) and Meem (م) sounds that carry it:
- النَّاسِ
16-line · page 548 ٱلنَّاسِ15-line · page 604 - لَهَبٍ وَّتَبَّ
16-line · page 547 لَهَبࣲ وَتَبَّ15-line · page 603 - يُنْفِقُوْنَ
16-line · page 2 يُنفِقُونَ15-line · page 2 - مِنْۢ بَعْدِ
16-line · page 5 مِنۢ بَعْدِ15-line · page 5 - لَهُمْ مَّشَوْا
16-line · page 4 لَهُم مَّشَوْا۟15-line · page 4 - تَرْمِيْهِمْ بِحِجَارَةٍ
16-line · page 546 تَرْمِيهِم بِحِجَارَةࣲ15-line · page 601
Not red: a Noon Sakin or Tanween before a throat letter (ء ه ع ح غ خ) is read clearly (Izhar), and a Meem Sakin before any letter other than م or ب is read clearly too (Izhar Shafawi).
Green: Tafkheem (تفخيم)
Tafkheem means reading a letter full and heavy, with the back of the tongue raised towards the roof of the mouth. Green marks:
- الْمَغْضُوْبِ
16-line · page 1 ٱلْمَغْضُوبِ15-line · page 1 - رَبِّ
16-line · page 1 رَبِّ15-line · page 1 - رِسَالَتَهٗؕ
16-line · page 107 رِسَالَتَهُۥۚ15-line · page 119 - نَصْرُ اللّٰهِ
16-line · page 547 نَصْرُ ٱللَّهِ15-line · page 603 - لِلّٰهِ
16-line · page 1 لِلَّهِ15-line · page 1
Blue: Qalqalah (قلقلة)
Qalqalah is a slight echo or bounce as the letter is released. It belongs to five letters, ق ط ب ج د(remembered as قطب جد). Blue marks:
- يَجْعَلْ
16-line · page 546 يَجْعَلْ15-line · page 601 - اَحَدٌ
16-line · page 547 أَحَدٌ15-line · page 604 - رَيْبَۚۖۛ
16-line · page 2 رَيْبَۛ15-line · page 2
ق and ط have both qualities: they are heavy letters and Qalqalah letters. When they carry a sukun they are coloured blue for Qalqalah; otherwise they are green. At the end of an ayah the two Mushafs differ: see below.
16-line and 15-line
The two Mushafs use the same three colours and the same key. Their colours are worked out separately, each from its own text, because the Indo-Pak and Madani scripts spell some words differently. The 15-line Mushaf also colours a stop at the end of an ayah as it is read, which shows in three places. How each Mushaf's colours are made and reviewed: About.
- كُفُوًا اَحَدٌ
16-line · page 547 كُفُوًا أَحَدُۢ15-line · page 604 - الْفَلَقِ
16-line · page 548 ٱلْفَلَقِ15-line · page 604 - مَّرَضٌۙ فَزَادَهُمُ
16-line · page 3 مَّرَضࣱ فَزَادَهُمُ15-line · page 3
Colours in the reader
- Open Settings to turn all the colours off, or to switch off one rule at a time. Reading in plain ink and then turning the colours back on is a good way to check yourself.
- The colour key at the bottom of the page shows only the rules that are switched on.
- In dark mode the same three colours are drawn brighter, so they stay easy to see.
- The magnifier and the enlarged word under the pointer keep the colours, in both Mushafs. See the annotation tools guide.
More on the switches: Settings guide. Start reading: 16-line Quran with colour Tajweed or the 15-line Madani Mushaf.